Reflections on 2014 and Resolutions for 2015

Keep Writing

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Hello, 2015!

I have found myself super excited to begin this new year and a new phase in my life. So excited, in fact, that I woke up at 5am and couldn’t fall back to sleep! While I’ll remedy my lack of sleep with a nap later today, I wanted to take the opportunity to reflect on the amazingness that was 2014 and document my plans, expectations, and resolutions for 2015.

To say that February 2014 was a good month is an understatement. I received a series of amazing notifications:  I was awarded a travel grant for a conference presentation, a fellowship to complete my dissertation during the 2014-15 academic year, followed by another fellowship to work on my dissertation during the summer of 2014, and notification that I was selected to present at Wayne State’s 2014 Graduate Research Exhibition. This was all cherry-topped with the news that my article on Mary de Morgan, “Seeds of Subversion in Mary de Morgan’s ‘The Seeds of Love,’” was accepted for publication pending revision. (This article has since been accepted for publication and will appear in Marvels & Tales: Journal of Fairy-Tale Studies, volume 29, issue 2 in 2015).

Yet beyond the this excellent news, February 2014 validated my original evaluation of my research and dissertation project: it is worthwhile and important. Before entering my doctoral program, I had not doubted that my research was important. I was shocked to find how very little had been written on the topic of 19th c. fairy tales by women when I first became interested in Mary de Morgan. Most scholarship on the topic is to be found in anthologies of the tales themselves, but these are usually on the topic fairy tales in general or Victorian fairy tales (many if not most written by men). The opportunity for innovative scholarship on the topic was (and still is) practically wide-open and the need to “rediscover” and/or bring to scholarly light the works of neglected female authors persists. But despite my own enthusiasm for my research, doctoral programs were far less enthusiastic. It was made explicitly clear to me by the DGS that I was accepted NOT for my interest in Victorian fairy tales but instead for the list of additional research interests I included in my purpose statement, such as women’s literature in general and sensation novels. I was admitted in spite of my research in fairy tales, not because of it.

But with the help of February 2014, I was finally able to put aside my inferiority complex regarding my research on 19th-century British fairy tales by women. Despite the general consensus that I will not be hired for my work on fairy tales, people are more than happy to hear me discuss them at conferences. And I have clearly become quite adept at selling my research to earn funding, as the multiple fellowships, research awards, and travel grants indicate. Surprisingly, the DGS assured me that I was awarded the Rumble Fellowship by a unanimous vote of the department’s graduate committee. So while at the beginning of my doctoral program, my research in and of itself was not valuable or scholarly enough, I now find that this perception has changed as I quickly approach graduation:  Perhaps fairy-tale research is undervalued, but *my* fairy-tale research is worthwhile AND worth funding.

Beyond the flurry of activity in February, 2014 saw me make a lot of progress on my dissertation. In fact, I submitted my 5th chapter (of 6 chapters) to my director on Jan. 1, 2015. All that remains is 1 more chapter and an introduction, so I am very much on track to defend in early March and graduate in May. I also moved “home” to MN to finish my dissertation writing and perform archival research on the British literary annual at the U of MN. I returned to University of St. Thomas for an invited presentation on Letitia Elizabeth Landon and the proto-feminist fairy tales she published in literary annuals as well as to sit on a panel discussing what could be done with a BA in English (the audience of this panel was a classroom of English majors). I also presented at several conferences, all on the topic of my dissertation research, and have applied for several teaching positions for 2015-16.

Additionally, I returned to physical therapy for some balance work, and I began taking watercolor classes. I also utilized HabitRPG to encourage the development of new and productive habits and to meet the various goals I have set for myself, including periodic blogging.

I feel confident stating that 2014 has been a wonderfully productive and successful year for me.

As I look forward to 2015, I anticipate my dissertation defense and the conferral of my Ph.D. I am particularly looking forward to leaving behind my student status after 10 consecutive years of higher education. I want to experience adulthood that is about working rather than studying, and I very much want to settle down into a stable job that will offer me the same challenges I have come to enjoy over the last 10 years.

I have further found that I have missed teaching while I have been on fellowship. I have not missed grading, but I do miss the interaction with students, the development of courses, course topics, learning objectives, lesson plans, and assignments, as well as witnessing students’ “aha” moments. I have also missed the class rapport and discussions, and as I work on writing my dissertation, I wish I could share my writing process with my students and inspire them to continue writing every day. I therefore plan to return to the classroom, to teach new courses and help new students, and perhaps to use my recent interest in online pedagogy to teach a hybrid or online course in 2015.

Additional resolutions:

  1. Read Dickens’ novels, 1 chapter a day, beginning with Oliver Twist, to try to duplicate the serialized original and experience if the novels appear less overwhelming in small pieces (to perhaps implement in the classroom).
  2. Become more active to reverse some of the unhealthy effects of sitting to read and write every day, as well as to possibly increase my balance and strength deficits.
  3. Work on publishing my dissertation.
  4. Begin new research projects and continue current ones on topics ranging from the literary annual, the femme fatale, Letitia Landon, etc.
  5. Enjoy the experience of transitioning from student to professional!

I’m sure I’ve forgotten to note some of the fantastic events of 2014 as well as some of my plans for 2015, but I’ll leave it at that. It has been a fantastic year of discovery and success and I hope that continues in 2015. Essentially, I hope to continue working my passion.

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A Collection of Notes & Texts from Sandra L. Beckett’s Red Riding Hood Criticism Trilogy

Warja Lavater's Le petit chaperone rouge

As I prepare to visit Wayne State next week, I am forced to go through my library books and remove tabs and/or take notes before I return the books to the library. I find myself reluctant to do so, probably … Continue reading

Genre Activity: 19th C. Periodicals & Dickens Journal Online

While I have incorporated fairy tales into teaching genre in a composition course, below is an excellent “genre activity” that pulls from my field of 19th century British literature. It is an actual competition, if you are interested in writing for Dickens’ Household Words, but the instructions seem to also fit a writing assignment emphasizing genre, audience, and publication format. It also encourages the use of technology and the exploration of Victorian culture and literature. Moreover, at least until Nov. 15, 2014, it is a real-world writing assignment, writing that serves a purpose outside of the classroom. I could envision using this writing assignment in a general composition course, but also in an introduction to literature or 19th c. survey course. Has anyone taught a similar assignment? If so, was it successful?

Competition Announcement–Deadline Extended!

Written by John Drew

We are delighted to announce our first LITERARY JOURNALISM COMPETITION. Write an article (reportage, sketch, exposé, informative factual account, digest, etc.), short story, instalment of serial fiction, or poem(s), suitable for publication in a weekly number of Household Words or All the Year Round. If you are not sure what to write, browse the contents of either journal, using the navigation tools above. Minimum word-length is 1,500 words/60 lines of poetry; maximum word-length is 2,000 words. No author’s name should appear on the pages of your entry: name and contact details should be supplied as a separate final sheet, to permit anonymous judging.

Send your entry to djo@buckingham.ac.uk as an e-mail attachment, by midnight on Saturday, 15 November 2014; at the same time, make the minimum donation using the ‘Charities Aid Foundation’ widget on the right of our homepage, to cover entry costs. Once your entry and your donation have been matched up, your entry will be passed to an expert panel of judges. Short-listed entrants will be informed by the end of November; winners will be announced during the Festive Season Details of prizes given on website; winning entries will be typeset in an ‘Extra Twenty-First-Century Number,’ available by Christmas. We hope you enjoy participating!

via Welcome to DJO.

Technology in the Classroom: Infographics

I have a love-hate relationship with technology, as some of my previous posts on the topic may suggest, but I’m trying to overcome my knee-jerk rejection of technology in the classroom, which seems to be largely caused by my frustration with trouble shooting technology problems. As usual lately, this post was inspired by my Pinterest addiction (a good indication that I am an all too frequent user of technology outside the classroom). So today I’d like to share some thoughts on how I can envision using infographics in the classroom.

Because of my Pinterest addiction, I’ll begin with an infographic entitled “Professors, Peers, & Pinterest.” 🙂

Okay, back to infographics in the classroom!

Assigning students (or groups of students) to create their own infographics seems to me to be a fun and useful assignment in an English classroom. In terms of the composition classroom, infographics are a unique form of communication, incorporating images, charts, and researched statistics or other information to educate and inform an intended audience (general or specific). Infographics thereby become a distinct genre of communication, with a specific purpose and audience.

Yet it is a genre quite different from the typical kinds of writing I usually assign in my composition classroom (think summary, analysis, and argument). Although related to summary (info graphics are, after all, a summary or even synthesis of information and research), communication in this genre occurs not through sentences and paragraphs but mainly through images. It appears to be a more obviously creative form of communication that I think might appeal to students with a creative bent, as well as an opportunity for students to consider the creation, layout, and appeal of a visual form of rhetoric.

An infographic assignment could be a welcome break from the typical written assignment and seems an ideal way to transition to a researched argument paper. It would offer students an opportunity to practice their researching skills, including the evaluation and citation of sources, and it could even accompany (or replace) an annotated bibliography.

An infographic assignment is a bit more difficult to incorporate into a literature classroom, but I think there are still some available options. I’m intrigued by the idea of using infographics to present reader-response information following each text. For instance, groups of students would be responsible for creating a survey for their classmates to complete after reading each assigned text; survey results then would be transformed into infographics to be presented to the class and/or uploaded to the course wiki or blog. Surveys could ask questions regarding the speed of reading (such as whether students read only assigned pages or read ahead–and even why they read at that speed) and/or students’ enjoyment of, comprehension of , completion of, or agreement with the text. Whether students are reading a bound or digital copy of the text would also be interesting to know.

If someday reading speed could be calculated as it was for this “How We Read Jane Austen’s Pride & Prejudice” infographic, it would be an amazing tool. But as an instructor, I think it could be helpful to receive such anonymous feedback concerning my student’s interaction with specific texts. For instance, a text that is more appealing to female readers, as the infographic suggests Pride & Prejudice is, would preferably be balanced by a text more appealing to male readers. Moreover, knowing whether students finished reading or understood the text is equally important, and I think students would be more likely to admit such information to their peers in an anonymous survey than to me in anonymous feedback submitted to the instructor.

Or infographics could be created to provide background information on literary texts before or while reading. Such an assignment in the literature classroom would practice many of the same researching and citing skills discussed previously concerning infographics in the composition classroom, as well as provide fellow students with important contextual information on assigned texts.

Finally, infographics could be used in the classroom not as an assignment but as a way for the instructor to review information and skills. In this way, instructor-produced infographics would become a quick reference for students in the course. Although the last method to be discussed in this post, this is probably where I would begin incorporating infographics into my classroom practices, if only because it would require that I become familiar with the creation of infographics, thereby allowing me to help my students create their own as well as more effectively evaluate and assess their final products.

10 Free Tools for Creating Infographics” seems to be a good place to begin playing with the creation of infographics.

I would greatly appreciate any suggestions and/or reviews of infographic creating applications (preferably free and user friendly). I’d also love to hear from anyone who has used infographic assignments in their classrooms.

Note: I have not checked the veracity of the infographics included in this post.

reading statistics, book facts

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Response to “How E-Reading Threatens Learning in the Humanities” (with Class Activity)

For the past five years, I’ve been examining the pros and cons of reading on-screen versus in print. The bottom line is that while digital devices may be fine for reading that we don’t intend to muse over or reread, text that requires what’s been called “deep reading” is nearly always better done in print.

Naomi S. Baron via How E-Reading Threatens Learning in the Humanities – Commentary – The Chronicle of Higher Education.

Baron’s short discussion of digital versus print texts in the humanities classroom caught my eye, probably because it reinforced some thoughts I expressed in a previous post when a family friend urged me to purchase e-texts so he’d have less books to move for me. In that post, I commented that bound books are easier to use in the classroom, and Baron supports that statement in “How E-Reading Threatens Learning in the Humanities”; she writes of the results of a survey taken by students on the pros and cons of bound books and e-books:

Several open-ended questions on my survey were particularly revelatory. I asked what people liked most (and least) about reading in each medium. Common responses for what students liked most about reading in print included “I can write on the pages and remember the material easier” and “it’s easier to focus.” When asked what they liked least about reading on-screen, a number of Japanese students reported that it wasn’t “real reading,” while respondents from all three countries complained that they “get distracted” or “don’t absorb as much.”

My all-time favorite reply to the question “What is the one thing you like least about reading in print?” came from an American: “It takes me longer because I read more carefully.” Isn’t careful reading what academe was designed to promote?

Which brings us back to the humanities.

Readings in the humanities tend to be lengthy, intellectually weighty, or both. The challenge of digital reading for the humanities is that screens—particularly those on devices with Internet connections—undermine our encounters with meaty texts. These devices weren’t designed for focused concentration, reading slowly, pausing to argue virtually with the author, or rereading. Rather, they are information and communication machines, best used for searching and skimming—not scrutinizing.

Teachers and scholars must look beyond today’s career-mindedness in talking about challenges to the humanities. We need to think more carefully about students’ mounting rejection of long-form reading, now intensified by digital technologies that further complicate our struggle to engage students in serious text-based inquiry. (Baron)

As a student, I can testify to the veracity of Baron’s survey results. Texts that I read via a paper copy (whether a bound book or printed article) invariably taught me more and stayed with me longer than those texts read digitally. In fact, as a graduate student, I would frequently make decisions regarding whether to purchase print copies or digital copies of a text based on whether I thought the text would (or could) prove to be significant or relevant to my personal research interests and fields of study; texts that merely fell into required reading for a course were downloaded digitally as not being worth the (extra) money spent.

Kindle App, e-texts, technology

Screen Shot of my Kindle App for Mac

But as a graduate student in English literature, I am far more aware of my personal reading habits and reading needs than first- or second-year undergrads.

I think Baron’s short essay may prove useful in introductory English classrooms, particularly those introducing students to the study of literature (although it could be equally relevant in the composition classroom if reading skills are being stressed). This is not to force my students to purchase paper copies of texts, but to at least get them thinking about the difference medium can have on their reading practices. Such a discussion could easily be used to transition into a discussion of close reading strategies or even active reading and learning; it would also offer students an opportunity to reflect on their current reading practices.

Furthermore, an activity whereby half the class is asked to read Baron’s piece (or an assigned short story or critical article) online while the other is given a paper copy to read could prove both interesting and enlightening. Would the students with the paper copy of such a short piece prove more able to discuss the points in detail than those who read online? Or would the results of such a small sampling prove to be inconclusive, or even the opposite? No matter the result, I think such an activity and discussion could function as a simple and productive gateway to what we mean by “reading” in the English classroom. Moreover, I think this activity would urge students to reflect on their own reading practices and encourage them to make thoughtful choices when it comes to reading medium and their learning in general.

Happy Never After by Saint Hoax: Disney & Domestic Abuse

Happy Never After

“An awareness campaign targeting any girl / woman who has been subject to domestic violence. The aim of the poster series is to encourage victims to report their cases in order for the authorities to prevent it from happening again.”

Saint Hoax Batter Cinderella

via Happy Never After.

I was introduced to Saint Hoax’s “Happy Never After” series of posters featuring Disney princesses as domestic abuse victims via this Jezebel article. As described on the artist’s website (and quoted above) these posters are intended to encourage awareness, reporting, and prevention of domestic violence, and while there have been several variations on the topics of both domestic violence and Disney princesses, this one by Saint Hoax struck me as particularly effective.

Featuring a battered Cinderella, Jasmine (Alladin), Aurora (Sleeping Beauty), and Ariel (The Little Mermaid), each poster has the same caption:

“WHEN DID HE STOP TREATING YOU LIKE A PRINCESS? It’s never too late to put an end to it.”

I think part of what makes this series so powerful is that it gets right to a basic, pervasive cultural belief: marriage and romance leads to happily ever after.

Teaching fairy tales last semester, I asked my students for the components that form the genre of the fairy tale (What is a fairy tale?), and I was stunned by the number of students, especially female students, who insisted that fairy tales need to have a romantic component. Likely drawing on cultural ideas concerning the fairy-tale wedding and the wedding day as a bride’s chance to be treated and look like a princess, not to mention the heavy influence of Disney’s princess films on their conception of fairy tales, for these female students, fairy tales are inseparable from the marriage plot. Happily ever after weddings were so essential to the fairy tale that most of these students were more than willing to discount and discard stories that did not feature this romantic component as not being fairy tales. Furthermore, when my students were asked to write their own original fairy tale, almost all featured a romantic plot, even those written by students who did not explicitly include romance and marriage as part of their definition of the fairy-tale genre.

So for adults and young adults like my students last semester, who cannot separate weddings and marriage from fairy tales, these posters seem particularly impactful. These Disney princesses, these epitomes of feminine beauty that lead to a presumably happily ever after wedding, live on in perfection after the end of their respective Disney films (sequels not withstanding). So to show that even these women might be abused, that the models of happily ever after romance might not live up to their own mythology, is, I think, profound.

It also may help to alleviate shame in a similar manner. If Cinderella can be fooled, if the male perfection of Prince Charming can be a deceitful masking of an abusive boyfriend or husband, then the idea that a “regular,” flesh and blood contemporary woman might make the same mistake of finding herself in an abusive relationship is a lot less surprising or even embarrassing. If a “real” princess can be abused and presumably stand up to and leave her abusing, princely husband, then so can the every woman.

I am constantly intrigued by the many ways Disney princesses are reinvented by artists (and I actually have a Pinterest board basically devoted to the topic), but this poster series by Saint Hoax stands out among the crowd for me. Reminiscent of the less “pretty” and more violent and dark fairy tales of previous centuries, these posters help remove the Disney veneer of perfection and utter happiness, and for a good cause. As visual rhetoric, I think “Happy Never After” succeeds in communicating its message, and I think these images would prove to be useful subjects of discussion in both the basic composition and fairy tale classroom, probably (possibly?) with a trigger warning in advance to prepare any student victims of domestic abuse. (Trigger warnings have been a topic of debate this year and The Chronicle of Education and other publications have featured several articles on the topic, including this one and this one. I also responded to a practicum discussion on the topic in this previous post, although I haven’t decided how I feel about the subject of trigger warnings overall.)

Beginning Thoughts on a Teaching Philosophy

“I never teach my pupils, I only attempt to provide the conditions in which they can learn.”

― Albert Einstein

I heard the above quotation while watching a rerun of Criminal Minds (to be exact, “Zoe’s Reprise,” S4 Ep14) and found it resonated with me. This, this is what I attempt to do in the classroom; really, I think it is all any instructor can do. We “provide the conditions”: a space that encourages exploration and questions, the information students need to acquire necessary skills, the guidance and feedback that motivates and encourages progress. (I know I’m repeating the word “encourage” but I can’t think of a better one at the moment.) But no matter how much effort I put into creating the ideal learning conditions for students, it is ultimately up to the student to LEARN, just as what exactly they learn or take away from the course is ultimately up to them as well.

“encourage students to take responsibility for their learning through reflection–>repeated student feedback and reflection opportunities in class help students become more self-aware regarding their learning needs, skills to be improved upon, habits to change, etc., which will help them throughout their lives

evaluate and adjust/adapt”

I jotted the above on a Post-It in a moment of teaching philosophy inspiration, similar to that I experienced while watching Criminal Minds. I absolutely believe that students need to take responsibility for their learning. I cannot anticipate the ideal learning conditions for the individual students that make up each distinct class, and I therefore am constantly evaluating each class’s overall learning needs and making adjustments in the schedule and/or adapting class activities and assignments. But my evaluation can only see so much, and I have found student self-evaluation and feedback to be particularly useful in making such adjustments necessary for the occurrence of the maximum level of student learning and progress.

One pedagogical practice that I have readily researched and implemented within the classroom is that of reflection (or metacognition). I have found this practice to be useful in my own learning, as after almost ten years of higher education I have finally developed my own personal “best practices” when it comes to learning, reading, writing, etc. It is, of course, always in fluctuation, but then reflection is a continuous practice, not a one-time deal. In the classroom, I periodically ask students to reflect on learning:

  • Is there anything you still have questions about and/or would like to review in class?
  • What are you confused about?
  • What classroom activities have proven most/least helpful to your learning?
  • What are your thoughts/feeling on the course theme (or a specific text) and has this changed as the course has progressed?
  • What skills do you think you have achieved?
  • What skills do you need to continue working on?
  • What would improve your learning experience in this course?

Similarly, I ask students to reflect upon their own works-in-progress:

  • Do you have any questions regarding the assignment?
  • What do you need to do to complete the assignment successfully?
  • What steps have you completed? What still needs to be done to complete the assignment?
  • How much time do you have to work on the assignment?
  • How will you prioritize the work still to be done?
  • What is your planned work schedule?

These latter reflective activities require less action or response from myself as the instructor; they are directed more towards the students’ self-identification of learning needs (such as spending more time on the assignment, asking questions about the assignment) and uneffective habits (such as procrastination). This metacognition encourages students to succeed not only in my course, but in their other coursework and more general endeavors; knowing how to assess a situation as objectively as possible and make appropriate changes to improve the situation are skills that will serve my students long after they graduate and enter the workforce.

PS: I think creating a teaching philosophy concept map, like this one, would also be a good and fun idea.

The Lit Lover’s Dilemma: Where Do I Store All My BOOKS?

As every literature student, instructor, collector, lover, etc. knows, bound books take up valuable living space. A lot of space. As every literature lover who has had to move knows, bound books are HEAVY. As a rabid reader of fiction since junior high school, I have accumulated A LOT of books though the years, as anyone who has helped me move can attest. And every time I move, I determine to downsize. But I can never part with my books, and since I continue to buy more each year, my collection continues to grow.

Book Cover Images

A small selection of titles in my bound-book collection.

E-BOOKS AS SPACE SAVERS?

As I am currently once more in the process of moving, the dilemma caused by my extensive bound book collection is fresh on my mind. I have too many boxes of books to count packed and stuffed into the one-bedroom apartment I currently share with another. We won’t move into a two-bedroom apartment until August, so I tried to anticipate my writing and reference needs by filling a suitcase with “necessary” books for easy (or simply easier) access.

A family friend who helped move me from Michigan to Minnesota lamented (repeatedly), “More boxes of books?! Why do you have so many books? Haven’t you heard of e-books?”

In theory, I have no problem with e-books. I own a number of them actually. But there are many reasons I continue to use and purchase bound books.

1. I owned the bound book before the e-book was available.

A lot of my books, in particular my non-academic, mass-market paperback genre fiction novels, were purchased before the release of the e-reader. These are the books I tend to purchase as e-books because it is simply easier and saves space; it’s also more convenient for vacation or relaxation (aka “fun”) reading as you can access a variety of texts anywhere, anytime with an e-reader. But as much as I’d like to simply replace these bound texts, it is not financially feasible on a graduate student budget. I keep telling myself I’ll do so when I get my (dream) job and can afford to do so.

2. Bound books are easier to use as sources for literary analysis.

When I’m analyzing a text and writing an argument about it, it’s a lot easier (for me) to reference a bound version of the primary text. This is because I can mark relevant quotations, make marginal notes, and skip around within the text as needed. Finding unmarked passages that I need is also easier to do in a bound book, as you can fan through the pages as needed and have a better idea of physical location (for example, I’m looking for a passage in the middle of the book so I’m fanning/skimming in that area). While I can mark, take notes, and sometimes search through e-books, skimming really doesn’t work, and I can’t move quickly back and forth between difference notes, marked passages, etc. as I can with a bound book. Furthermore, MLA citation requires page numbers that are usually unavailable in a digital format.

3. Bound books are easier to use in the classroom.

For many of the same reasons listed in the previous point, a bound book is easier to use in the classroom, as the class moves from passage to passage, not necessarily in any chronological order. This is especially the case as an instructor, I think. I’ve used e-books in the classroom as a student (it’s hard to pass up free 19th-century texts) and have found them clunky and unwieldy. Even using the search function to locate specific passages, I am inevitably behind in the conversation, unlike those students who can simply reference a page and paragraph number.

4. Used bound books are cheap.

I love used book stores. One of my favorites is Half-Price Books, and I’ve found some excellent deals on both literary texts and literary criticism/theory texts at their stores (particularly if I visit a store located near one or more college campuses). Cheap bound books are also available on Amazon. While e-books are often (but not always) cheaper than their bound counterparts, used bound books are often cheaper still. So until I can purchase a “used” e-book, I cannot overlook the deals available on used bound books.

5. A lot of critical texts are unavailable as an e-book. Numerous academic monographs, anthologies, etc. are not available in any form other than bound hardcopy. This means access is limited to purchasing the bound book or borrowing the bound book from a library. While the library is often a good source, purchasing the book allows unlimited, repeated access and reference, and it can sometimes be quicker as well.

6. Bound books are more aesthetically pleasing. Sometimes it’s just nice to admire a book cover or unusual binding, to hold a book in your hands and smell its pleasantly musty scent. In my opinion, personalized epigraphs and signatures in books received as gifts also adds value. Yes, they’re dust-traps, but don’t they look nice displayed on your books shelf???

BOOK STORAGE CONCLUSION

I think these are pretty good reasons to keep my collection of bound books. I obviously didn’t explain this in detail to the lamenting family friend, but his lament’s did encourage me to think about this in more detail. (My response on moving day was “I’m an English major.”)

And regarding storage space, I’ll simply have to invest in another bookshelf to make up for the loss of the built-in shelf I sadly said goodbye to in my Michigan apartment. Off to Ikea I go! I’m also looking to purchase a rolling book cart (like those used in libraries) to store some books in my closet. Maybe some day I’ll use that same cart in my own home library…

Technology in the Classroom: HabitRPG.com and Code.org

I’ve recently come across two websites that seem potentially useful in the classroom but that are definitely intriguing in their own (non-classroom) existence. I’ve been enjoying them outside the classroom for very different reasons, and while at this time I can’t say how they could be used in a college literature or writing classroom, I do think the potential is there at least.

HabitRPG.com

This attempts to be a video game. That’s right, I’m writing about video game technology. Kind of. Somewhat. This website, as the name suggests, is a Role Playing Game that is intended and created to encourage the acquisition of good habits and the loss of bad habits.  Habits are absolutely individualized; this could be used by players who want to eat healthier or exercise more or those who’d like to quit smoking. For the student, it might be used to combat procrastination or encourage better writing practices (writing everyday, planning out the steps for a project, etc.). The site is very loosely a game; each player has an avatar that they can customize and purchase (with play money) armor and weapons to equip their avatar, there are quests and challenges that players volunteer to complete (although I’m not quite familiar with this aspect), but the main point of the site is that you create your own list of habits, daily activities, and to-do lists and your avatar gains experience points, health, and play-money as you record your good habits/actions or loses health and possibly dies as you record your bad habits. Obviously, the site depends on self-recording and honesty, so as a classroom tool, this will only work for students who are actually interested in stopping habits of procrastination or creating more effective writing habits. But it is an interesting and fun way to keep track of one’s actions. Moreover, one component of the game is the forming of communities to support each other (via chatrooms, for instance), so students can join student or writer communities already created on the site or could potentially create a community specifically for each individual class section.

Currently, I’m using the site to track my dissertation writing progress, as well as encourage healthier eating habits and less soda consumption. I’ve only been at it for a couple days, but I’m so far enjoying the easy tracking ability. I’ll have to wait and see how long I stick with it.

Code.org

CBS This Morning had a piece on this website during their broadcast Wednesday morning, May 7, 2014. This site is intended to encourage the teaching and learning of computer science (coding) in K-12 classrooms. It contains several video tutorials, class activities, and online games to teach young students about coding and as far as I can tell, all the content is free. Again, I’m not sure how this might best be incorporated into a college writing or literature classroom, but I can see potential and am enjoying learning about coding myself. I could see potential use in a technical writing environment that focuses on composing clear, repeatable instructions since that is in effect what coding is (giving the computer clear and repeatable instructions). There could also be potential in regards to an exercise emphasizing the need to read, comprehend, and follow directions as students (and future employees), and the activities also encourage the development of basic problem-sovling skills.

As with the previous site, I’ve only used this for a short time (about a day) but wanted to take note of a potentially useful online tool.